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It has been linked to the court of Gaston III of Foix-Béarn, count of Foix.
The presence of an English piece in this otherwise French collection has been explained through contacts between this court and neighbouring English possessions in France.
'foot'] of this three-part piece is recited twice under the rule of the Hemiola [i.e.
in a proportion of 2/3], so that those whose name roll the triplum sings may praise the Lord.
The fifth stanza then spells out a rule for the performance of the piece itself, describing its structural plan (see below for an in-depth analysis): The tenor ["pes", i.e.The second source is Codex Bologna, Civico Museo Bibliografico Musicale, Ms.Q 15, a collection that otherwise represents a somewhat later repertoire with many works from the early 15th century.For general information on how to correct material on Re PEc, see these instructions.To update listings or check citations waiting for approval, James Bullard should log into the Re PEc Author Service To make corrections to the bibliographic information of a particular item, find the technical contact on the abstract page of that item.